INSTALLATION and EXHIBITS - FILE 1

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Entry under the ART HATE Gateway.

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The ART HATE Trike with a box of toffee apples and the Patented Finger of God Painting Machine are featured here under an ART HATE gateway sign

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Original ART HATE Field Posters on display. These posters are the file copies from the ART HATE ARCHIVES and must not be confused with the 'Facsimile Copies'. Note the ART HATE painted walls designed to disrupt range finders.

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ART HATE Display Cases, Field Posters and Threat Level Placard. All displayed beneath a steel gate sign bearing the legend "KUNST MACHT FREI".
Note the comfy sofa.

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This scene is the careful reconstruction of a pivotal moment in ART HATE history:
Dr Albirit Umber works at the Gestetner as his wife Rosie Umber nee Madder rushes into the room to warn him of his imminent capture.
Note he is already wearing an ART HATE Internment Armband in support of those already caught.

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Dr Albitr Umber with his injuries.

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The ART HATE Gramophone decorated with some ART HATE Photodocumentia. It plays the ART HATE Anthem - The Harry Lyme Theme

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Scene showing the escape ladder.

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Razzle Dazzle and Trust Your Dissatisfaction Steel Gate Sign

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The Patented Finger of God Painting Machine

Works by Marcel Douchebag and Fanny Oppenheimen coming soon.

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A scarce Past Futures ART HATE Photodocumentia Photograph, complete with it's 'File Copy' stamp. Only 3 of this image are thought to exist in the archive.

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Original Field Posters, the Automated ART HATE Horse of Reginal Dada, a Past Futures Photodocumentia Photo and an Experiment in ART HATE Painting.

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Coded postcards and photodocumentia in an ART HATE Display Case.
The use of coded postcards and snapshots to disseminate ART HATE is one of the foundation stones of ART HATE. Here we see a wide range from early to mid period ART HATE.

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Exhibits in an ART HATE Display Case - A bundle of original hand bills and the design for the Gombrich book.